'Musical Characteristics of the Renaissance\r'

' gothic medicine cerebrate on complexity in harmony, rhythm, textbookbook and orchestration. in that location was no instrument aver and polyphonous medication and nonation were in the development stages. euphony was both unsanctified and sacred, although secular music hardly thrived due to the after-hours development of notation. Western music went grant in hand with Roman Church. The monks of the church composed the first notes for music. Thus well-nigh of the written music emerged from within the Church.\r\npope Gregory I took the initiative to standardize the so onest music.  This is known as Gregory chants. Kyrie is an example for this. The music is sung by many voices in unison without any instrument. This is also called a cappella and is monophonic. Polyphony began to take form mingled with the 11th and 13th century. The earliest polyphony is known as organum.\r\nThe Doulz Viaire Gracieus is a polyphonic song of the vocal genre and a fixed form by the cut composer Guillaume de Machaut. It is known as a rondel and is written for three voices †a tenor, a triplem set against the trenor and a cantus. Only the cantus has text and the other two have been submissively performed.\r\n tuneful Characteristics of the rebirth\r\n spiritual rebirth music focused mainly on modality which began to radioactive decay towards the end of this period. A large takings of motets, madrigale spirituale and the laude took form during this period. Secular music for one or many voices was widely distributed. Music was composed in individual parts. There were hardly any scores and barlines were not used at all.  Several styles were composed. The styles depended on the surroundings and geographic locations. The rising secular humanism spirit portrayed a festering in secular and instrumental composition. close of the songs revolved around women, love and wine.\r\n fragrancy nymph, come to thy lover by doubting Thomas Morely is an English secular madrigal that does not make use of any instrument. It was promulgated in Canzonets to Two Voices in 1595. Giovanni Gabrieli was a composer of high renaissance music and his cream is characterized by contrasts of space, high and low voices and dynamics. He is well known for polychoral compositions and played a vital role in instrumental music. One of his greatest compositions using instruments is Canzona Duodecimi Toni.\r\n oddment\r\nMusic theory and notation owes its produce to Middle Ages. New styles were continuously invented. The music of the Middle Ages has great influence on the development of the modern Western music. The changes during Renaissance have also influenced music to a great extent. References\r\nO’ Brien, J. P. (1995). The listening be: Elements, forms, and styles in music (2nd ed.). New York: Schirmer.\r\nWikepedia. Renaissance Music. Retrieved from http://en.wikipedia.org/wiki/Renaissance_music\r\nThink Quest. Learning with the power of Technology. Re trieved from http://www.tqnyc.org/NYC041099/middleages.html\r\nBraindex. Medieval Music. Retrieved from http://braindex.com/encyclopedia/index.php/Medieval_music\r\n \r\n'