Vanitas :: essays research papers

VanitasVanitas, found in homophiley recent pieces, is a style of word-painting begun in the 17th Century by Dutch artists. fraudists involved in this movement include Pieter Claesz, Domenico Fetti and Bernardo Strozzi . Using still- breeding as their milieu, those artists and others uniform them provide the viewer with ideas regarding the brevity of life. The artists are giving us a taste of the swiftness with which life female genitalia fade and death overtakes us all. Some late 20th Century examples were shown recently at the Virginia Museum of Art in Richmond, Virginia. Among the artists correspond in this show were Miroslaw Balka (Polish, b. 1958), Christian Boltanski (French, b. 1944), Leonardo pull (American, b. 1961), Felix Gonzalez-Torres (American, b. Cuba, 1957- 1996), Jim Hodges (American, b. 1957), Anish Kapoor (British, b. India, 1954), and Jac Leirner (Brazilian, b. 1961). In the poem Vanitas Vanitatum by John Webster, we are given a clear view of this movement i n the art world. ALL the flowers of the skip overMeet to perfume our burying is a beautiful juxtaposition of the viewer of life and the sorrow of passing away. Actually, any definition of this term would be overshadowed by this poem, it so clearly sums up the meaning and importance fuck the word Vanitas."Vanitas still life with portrait of a young lynx " by David Bailly includes such objects as dying flowers, a skull, a painting of musician, musical instruments (recorder, conductors baton), statuary of a young, virile man and a young child, a portrait of another young man, and a clean palette temporary removal on the wall. The meaning behind these articles can be manifold, depending upon ones point of view, but I remember they are all important symbols of the passing nature of vitality and life itself. The flowers, once brilliant and lovely, are now withering in their vase. Music, represented by a man playing a lute in a portrait on the wall and by numerous music rela ted items (a recorder, a conductors baton) is itself transient and elusive. Obviously a skull can represent death, but it can just as considerably be a reminder of what remains behind. The clean palette hanging on the wall is evocative of a clear start, a raw beginning, the option available to us all to begin again, before its too lateIn Wheel of Fortune, by Audrey Flack, many a(prenominal) objects illustrate the transient nature of this fragile life.