Explain how the intellectual contexts of Berkoff and Wolf determine their portrayal of the placard of Agamemnon. In text one, Berkoff’s portrayal of Agamemnon, Clytemnestra and Cassandra support his existentialist philosophy through his reducing of the play to being a scrape of sexual politics through language. This is displayed through Clytemnestra’s candid confronting questions ‘What are you thinking/of her? Was her body nice to touch/did it attractive you/softly/comforting/did you break your rock hard…’ disguise a less conservative, cynical and objective way of eyesight sexuality. This evident collapse of marriage/religious morality and burst of individualism/ consumerism mean objectification of sexuality in the play. The relationship amid Clytemnestra and Agamemnon is reduced to a dysfunctional marriage for empathetic companionship with the audience so that the audience can see from Berkoff’s military position on the reality of the meaninglessness of the world. The chorus presents the ultimate in ‘bad faith’ ‘no curse here(predicate)…clean metropolis…Agamemnon’s city’ becuaase they identify with the solid ground’s state uncritically.
In text 2, Wolf’s pictorial matter of Cassandra helps support her feminism beca utilize she expresses her feminist views through the heroine Cassandra. Her commit of condescending adjectives ‘whimpering, spewing Agamemnon’ contrasts with her affirmative adjectives ‘for I derived joy from everything I guideword – joy, not hope!’ enforcing her belief ! that women has the strength and are more(prenominal) shining than men as women are like the lifetime pierce whilst men are just related to struggle and death. The vocabulary of ‘prophecy’ in ‘Why did I urgency the acquaint of prophecy, come what may?’ is used as a type for female autonomy and own individual perspective. These two texts turn up that the female characters are quite similar in the backbone that they are the more...If you want to get a adequate essay, gear up it on our website: OrderCustomPaper.com
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